Charlie Hebdo May Now Be Criticized Because It Mocked White Texans Rather Than Muslims

By Glenn Greenwald • September 1 2017

THE NEWFOUND FREE SPEECH crusaders borne of the January 2015 murders of 10 Charlie Hebdo cartoonists in Paris sought to promulgate a new and quite dangerous standard. It was no longer enough to defend someone’s right to express their ideas while being free to condemn those ideas themselves — long the central tenet of the free speech movement (I defend their right to free speech even while finding them and their ideas repugnant). In the wake of the Hebdo killings, one had to go much further than that: It was a moral imperative to embrace and celebrate the ideas under attack and to glorify those who were expressing them, even to declare ourselves to be them (#JeSuisCharlie).

As a result, criticizing the content of Charlie Hebdo’s often-vile cartoons became virtually blasphemous. It became common to demand that one not only defend the right of the cartoonists to publish them but also, to show “solidarity,” one had to republish those cartoons no matter how much one objected to their content — thus adopting that speech as one’s own. Opposition to lavishing these cartoonists with honors and prizes was depicted as some sort of moral failure or at least insufficient commitment to free speech rights, as evidenced by the widespread, intense scorn heaped on the writers who spoke out in opposition to bestowing Charlie Hebdo with an award at a PEN America gala.

A dangerous conflation was thus imposed between the right to express Idea X and one’s opinion of Idea X. Of all the articles I’ve written in the last several years, perhaps the most polarizing and anger-generating were the ones I wrote in the wake of the Charlie Hebdo killings: one article that rejected the demand that one must celebrate and even republish Charlie Hebdo’s cartoons by criticizing those cartoons and illustrating the results of applying this new, dangerous standard (celebrate offensive and blasphemous cartoons by republishing them) universally; and then a series of articles defending the PEN America writers who objected to the Charlie Hebdo award on the ground that one could simultaneously defend free speech while refusing to praise, honor, and glorify those whose speech rights were under attack.

The most dishonest and confused commentators distorted mine (and others’) critique of the content of Charlie Hebdo’s speech into an opposition to free speech itself. “When Glenn Greenwald castigates the dead Charlie Hebdo cartoonists for racism,” decreed the anti-Islam high priest of New Atheism, Sam Harris, “he’s not only proving that he’s a moral imbecile; he’s participating in a global war of ideas over free speech — and he’s on the wrong side of it.” Similarly confusing these distinct concepts was Quillette’s Jamie Palmer, who, after surveying my years of work defending free speech rights for everyone both as a lawyer and a journalist, somehow concluded that “it would seem logical to suppose that Greenwald’s solidarity with the staff of Charlie Hebdo could be taken for granted.”

What was clear all along, and what I argued repeatedly, was that it was not a belief in free speech that was driving these demands that Charlie Hebdo cartoonists be honored and revered and their cartoons be celebrated. Free speech was just the pretense, the costume.

Indeed, most of the political leaders who led the “free speech parade” in Paris (pictured above) had long records of suppressing free speech, and few of these new free speech crusaders uttered a word as the free speech rights of Muslims have been assaulted and eroded throughout the West in the name of the war on terror. What was driving this love of Charlie Hebdo was approval of the content of its cartoons: specifically, glee that it was attacking, mocking, and angering Muslims, one of the most marginalized, vulnerable, and despised groups in the West.

THE PROOF OF THIS was delivered yesterday. Charlie Hebdo published a characteristically vile cartoon depicting drowning victims of Hurricane Harvey in Houston as being neo-Nazis, with the banner that declared “God Exists”: because, needless to say, white people in Texas love Hitler, and it’s thus a form of divine justice if they drown.

That led to a virtually unanimous tidal wave of condemnation of Charlie Hebdo, including from many quarters that, just two years ago, were sanctifying the same magazine for its identical mockery of Muslims. Yesterday’s assault on white sensibilities also led many people to suddenly rediscover the principle that one can simultaneously defend a person’s free speech rights while expressing revulsion for the content of their speech.

READ THE REST AT THE INTERCEPT

Views: 89

Reply to This

Best guide to hip hop, soul, reggae concerts & events in San Francisco Bay Area, Los Angeles & New York City + music, videos, radio and more

Connect

Bookmark and Share

Subscribe to E-Blast

WIN TICKETS

Ledisi
Sunday, Apr 14 @ Fox Theater, Oakland

Steel Pulse
Thursday, Apr 18 @ UC Theatre, Berkeley

Mario Hodge
Saturday, May 4 @ Moose Lodge, El Sobrante

Members

Photos

  • Add Photos
  • View All

Groups

Latest Activity

Editor's Pick posted videos
12 hours ago
Editor's Pick posted discussions
15 hours ago
2 videos by Editor's Pick were featured
yesterday
Profile IconIsabella Decharad and catherine enny joined True Skool Network
yesterday
Editor's Pick posted discussions
Wednesday
realmuzik posted a discussion

Joshua Powers Releases New Hit Single "Sunshine"

Joshua Powers is a creative and artist who currently resides in El Paso, Texas. Not only is he a devoted father and skilled chef, but he also possesses a profound connection to music that has shaped his identity from an early age.…See More
Tuesday
Editor's Pick updated an event
Thumbnail

Mario Hodge "Reach 4 The Moon Comedy Show" at Moose Lodge, El Sobrante

May 4, 2024 from 7pm to 11pm
ENTER TO WIN A PAIR OF TICKETS. WINNER WILL BE DRAWN RANDOMLY AND ANNOUNCED 2 DAYS PRIOR TO EVENT. SATURDAY, MAY 4TaylorMade Ent presentsMario HodgeReach 4 The Moon Comedy Showwith support fromYou Know "Maaacus" Edward Ty Evans T-Boogie@ Moose Lodge, 4660 Appian Way, El Sobrante, CA 94804Doors 7pm. Show…See More
Monday
Editor's Pick posted discussions
Monday
MJ Savino posted a blog post

Interview: International Hip Hop Artist Rhyme Assassin Chops It Up About New Record With M.O.P & Ruste Juxx

International Hip Hop artist Rhyme Assassin gets ready for the release of his new record on April 19th, everywhere music is sold. This time around he links with M.O.P and Ruste Juxx for "Run Em Up (Told Ya)." Tap into the interview below for some inside scoop on the record and to pre-order it. Pre-Order “Run Em Up (Told Ya)” here -…See More
Monday
TEAM BIGGA RANKIN posted blog posts
Monday
Artistpr posted a blog post

Embarking on a Riveting Journey of Resilience – Felicia Taylor Presents Debut Album “Reflections”

Survivor and songstress, Felicia Taylor unveils her new record “Reflections,” a unique confluence of Pop, R&B, and ElectronicaWoodbine, Maryland —”Reflections” represents Felicia Taylor’s undying passion for music and her commitment to sharing her story. Each song in the album is a testament to her survival and a celebration of life.The artist’s music defies conventional categorization, blending pop, R&B, electronic, and hip-hop elements in a way that mirrors her own distinctive…See More
Monday
realmuzik posted a discussion

DRAGG Releases Captivating Debut Album "Mixed Feelings"

Alternative hip-hop visionary DRAGG brews an elixir of emotions in his album 'Mixed Feelings', swirling with lyrical rap and alluring nocturnal R&B flavours showcased in eight unforgettable tracks with features by OwToo, Korusbird, Tania DeBarros and Amandi Music, brought…See More
Sunday

© 2024   Created by Ren the Vinyl Archaeologist.   Powered by

Badges  |  Report an Issue  |  Terms of Service