A Tribe Called Quest is one of Hip Hop’s most legendary, beloved
and revered groups of all time, and for good reason. Easily
recognized for their unique approach to rap music by employing
jazzy soundscapes to Afro centric rhymes, sans the jaded and often
nihilistic aggressive posturing. A Tribe Called Quest is largely
responsible for the popularity of Jazzy Hip-Hop that seemed to
dominate the East Coast sound of the early 1990’s. ATCQ was formed
in 1985 by Queens, New York natives, Q-Tip and Phife Dawg, Ali
Shaheed Muhammad of Brooklyn, who met Q-Tip in high school and
although missing on most albums but always present in heart and
friendship, Jarobi. QUEST, the original name of the group was later
given the prefix A Tribe Called by their high school buddies, The
Jungle Brothers, while recording the song ‘Black Is Black’ for the
Straight Out The Jungle Album. Tribe along with the Jungle Brothers
and De La Soul formed a unit called The Native Tongues. With a
building buzz around The Native Tongues and Tribe’s energetic live
performances, ATCQ landed a major recording contract with Jive
Records in 1989. Sonically, ATCQ were a decisive and welcomed
tangent of jazz, bass-heavy rhythmic vibes and eclectic sampling
when compared to the mundane recycling of soul loops, breaks and
vocals of their contemporaries. Lyrically, emcees Q-Tip and Phife
addressed social issues relevant to young blacks such as use of the
‘n word’ and its relevance, date rape and other interpersonal
relationships, industry politics, consumerism, and none the lesser
how to have a good time while still promoting positivity. Often
wearing their hearts on their sleeves, ATCQ scored a number of
successful singles and albums with their creative approach to rap
music. In 1990, the group released People’s Instinctive Travels and
the Paths of Rhythm scoring several memorable songs including
‘Bonita Applebum,’ ‘Can I Kick It,’ and ‘I left my Wallet in El
Segundo,’ but it would be their sophomore effort, considered one of
the greatest follow-ups in Hip Hop history, The Low End Theory,
that would solidify them as legends in the present and for the
ages. Released in late 1991, it was the freedom expressed in the
creation and feel of this record along with its successor Midnight
Marauders that would establish a blueprint for many future artists
and producers such as Common, The Roots, Jill Scott, Kanye West,
and The Neptunes who would emulate and embrace Tribes style for
years to come. With a seemingly endless barrage of classic songs
like ‘Award Tour,’ ‘Electric Relaxation,’ ‘Check The Rhyme,’ and
‘Scenario’ Tribe’s influence was unavoidable. By the release of
their fourth album, Beats, Rhymes and Life in 1996, Q-Tip, Ali
Shaheed Muhammad and new comer – stellar talent Jay Dee (now ‘Jay
Dilla’ of Slum Village) had formed a production team dubbed The
Ummah who often brought their aural aesthetic to other artists such
as Janet Jackson, D’Angelo, and Faith Evans. Q-Tip’s cousin,
Consequence, contributed guest vocals on several tracks of the
Beats, Rhymes and Life album as ATCQ continued to perfect and
advance their sound displaying their unique take on what Hip Hop
could be and sound like. This progressive unparalleled effort came
to an unexpected end shortly after the release of their fifth
studio album, The Love Movement. It was with the completion of this
album when ATCQ chose to exit the proverbial stage, where they
captivated the ears and imaginations of Hip Hop fans. In recent
years, the anticipation for another Tribe album has been building.
The Abstract Poetic, The Five Foot Assassin and Mr. Muhammad have
yet to grace the studio for another record, however they have hit
the road again to perform for their fans who have been waiting so
long in adulation for them. To this day, the power of their music
is still evident in their dynamic stage performance. A Tribe Called
Quest’s anomalous posture has changed the face and sound of Hip Hop
music, which paved the way for future groups, artists and producers
to be themselves while still being creative. With or without a
sixth album we can say for certain that Tribe’s legacy lives on
with five solid albums by the way of creative innovation that will
be recognized as a pre-eminent contribution in musical history.
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